Always….

May 5th, 2008

By: Deborah LeBlanc 

A friend sent me something the other day that really put a spring in my step, and I thought I’d share it with you. Now it has nothing to do with writing, then again, it has everything to do with writing. It has nothing to do with my books, and thank heaven for that because even I get tired of touting those puppies. It has to do with attitude, an attitude that, if adopted by Americans en masse, just might change the future of our country. It has to do with one woman simply having enough . . .   

This is an open letter written to the branch manager of Proctor and Gamble—

 Dear Mr. Thatcher, 

I have been a loyal user of your Always maxi pads for over 20 years, and I appreciate many of their features. Why, without the LeakGuard Core ™ or Dri-Weave ™ absorbency, I’d probably never go horseback riding or salsa dancing, and I’d certainly steer clear of running up and down the beach in tight, white shorts. But my favorite feature has to be your revolutionary Flexi-Wings. Kudos on  being the only company smart enough to realize how crucial it is that maxi pads be aerodynamic. I can’t tell you how safe and secure I feel each month knowing there’s a little F-16 in my pants. 

Have you ever had a menstrual period, Mr. Thatcher? Ever suffered from “the curse”? I’m guessing you haven’t. Well, my “time of the month” is starting right now. As I type, I can already feel hormonal forces violently surging through my body. Just a few minutes from now, my body will adjust, and I’ll be transformed into what my husband likes to call “an inbred hillbilly with knife skills.” Isn’t the human body amazing? 

As bran manager in the feminine-hygiene division, you’ve no doubt seen quite a bit of research on what exactly happens during your customers’ monthly visits from Aunt Flo. Therefore, you must know about the bloating, puffiness, and cramping we endure, and about our intense mood swings, crying jags, and even out-of-control behavior. You surely realize it’s a tough time for most women. In fact, only last week, my friend Jennifer fought the violent urge to shove her husband’s testicles into a George Foreman Grill just because he told her he thought Grey’s Anatomy was written by drunken chimps. Crazy! 

The point is, sir, you of all people must realize that America is just crawling with homicidal maniacs in Capri pants. Which brings me to the reason for my letter. 

Last month, while in the throes of cramping so painful I wanted to reach inside my body and yank out my uterus, I opened an Always maxi pad, and there, printed on the adhesive backing, were these words: “Have a Happy Period.”

 Are you #*#$^ kidding me? 

What I mean is, does any part of your tiny middle-manager brain really think happiness—actual smiling, laughing happiness—is possible during a menstrual period?  Did anything mentioned above sound the least bit pleasurable? Well, did it, James? FYI, unless you’re some kind of S&M freakazoid, there will never be anything “happy” about a day in which you have to jack yourself  up with Motrin and Kahlua and lock yourself in your house just so you don’t march down to the local Walgreens armed with a hunting rifle and a sketchy plan to end your life in a blaze of glory. For the love of God, man, pull your head out. If you just have to slap a moronic message on a maxi pad, wouldn’t it make more sense to say something that’s actually pertinent, like “Put Down the Hammer” or “Vehicular Manslaughter Is Wrong”? Or are you just picking on us?

Sir, please inform your accounting department that, effective immediately, there will be and eight dollar drop in monthly profits, for I have chosen to take my maxi-pad business elsewhere. And though I will certainly miss your Flexi-Wings, I will not for one minute miss your brand of condescending bullshit. And that’s a promise I will keep . . . ALWAYS. 

Best,

Wendi Aarons

Austin Tx.  

You tell ‘em, sistah! J

World Horror roundup

April 2nd, 2008

by Alex

Actually I have to do reports on THREE conventions now - Left Coast Crime, the Public Library Association conference, and World Horror. But I thought I’d at least start on World Horror. I can’t give anything like a full conference report as I didn’t get there until early Saturday morning (I was at PLA for three days and had to get from Minneapolis to Salt Lake City in a mad rush…) but at least I can start with some impressions and maybe we’ll get a sense of the whole conference experience eventually.Starting with the climax, the Stokers - it was of course completely thrilling to see Sarah L. win for Best Novel and FIVE STROKES TO MIDNIGHT, with Deb’s story, win Best Antho (yay, Gary and Hank!).

Jeff Strand is the Toastmaster of the Gods, as far as I’m concerned - SO funny - can he just please emcee ALL cons from now on, all genres? F. Paul Wilson was in fine form as he announced Sarah (”I think we should have just named this ‘Sarah Langan Con’. She’s got panels, she’s got Coffeeklatches, she’s got readings… I’m stating to feel like Jan Brady. ‘Sarah, Sarah, Sarah…’”

And Gary Braunbeck had the whole room in tears as he dedicated one of his Stokers to his late daughter. All in all, a much funnier and more emotional evening than you often get at these things.

Despite my incredible lateness I had a very full conference experience - three panels (screenwriting, “Thinking Outside the Horror Box” on marketing, and “Promotion, What Works and What Doesn’t” - which turned into an interesting roundtable with back and forth discussion between Deb, Sarah L. and me and all of the audience, with special help from David Wellington - turned out to be as illuminating for the panelists as it was for the audience, I think.

I got my academic fix from the fascinating lectures on serial killers (and a chance to hear a taped interview with Ted Bundy… malevolently fascinating.

Heather Graham and I managed to sneak some time to hit six bookstores in the area to sign stock and meet the managers (I drove in the SNOW - very proud of myself!).

So I was running around like a crazy person, but I still got a chance to catch up with a lot of people because I stayed over Sunday night for the Dead Dog Party. Best of all, despite the fact that it took me 36 hours to actually get home, I got a lot of work done on my third book revision - airports do that for me, and the con inspirational magic was working.

Would love to hear other people’s impressions, and I’ll add more when I can.

THE BRAM STOKER AWARDS

April 1st, 2008

Superior Achievement in Poetry
BEING FULL OF LIGHT, INSUBSTANTIAL by Linda Addison (Space and Time) and
VECTORS: A WEEK IN THE DEATH OF A PLANET by Charlee Jacob & Marge Simon (Dark Regions Press)

Superior Achievement in Nonfiction
THE CRYPTOPEDIA: A Dictionary of the Weird, Strange & Downright Bizarre by Jonathan Maberry & David F. Kramer (Citadel Press / Kensington)

Superior Achievement in a Collection
PROVERBS FOR MONSTERS by Michael A. Arnzen (Dark Regions Press) and
5 STORIES by Peter Straub (Borderlands)

Superior Achievement in an Anthology
FIVE STROKES TO MIDNIGHT edited by Gary Braunbeck and Hank Schwaeble (Haunted Pelican Press)

Superior Achievement in Short Fiction
THE GENTLE BRUSH OF WINGS by David Niall Wilson (Defining Moments)

Superior Achievement in Long Fiction
AFTERWARD, THERE WILL BE A HALLWAY by Gary Braunbeck (Five Strokes to Midnight)

Superior Achievement in a First Novel
HEART-SHAPED BOX by Joe Hill (William Morrow)

Superior Achievement in a Novel
THE MISSING by Sarah Langan (Harper)

Check out our own Deb LeBlanc on the list as a contributor in ‘Five Strokes to Midnight’, and of course, Sarah Langan taking Best Novel for ‘This Missing’ (Virus)

Congratulations to all the winners in a strong field of nominees!

2007 Thriller Awards nominees

March 20th, 2008

BEST NOVEL 2008
No Time For Goodbye by Linwood Barclay (Bantam)
The Watchman by Robert Crais (Simon & Schuster)
The Ghost by Robert Harris (Simon & Schuster)
The Crime Writer by Gregg Hurwitz (Viking)
Trouble by Jesse Kellerman (Putnam)

BEST FIRST NOVEL 2008
Interred With Their Bones by Jennifer Lee Carrell (Dutton)
Big City, Bad Blood by Sean Chercover (William Morrow)
From the Depths by Gerry Doyle (McBook Press)
Volk’s Game by Brent Ghelfi (Henry Holt and Co.)
Heart-Shaped Box by Joe Hill (William Morrow)

BEST PAPERBACK ORIGINAL 2008
The Last Nightingale by Anthony Flacco (Ballantine)
A Thousand Bones by P.J. Parrish (Pocket)
The Midnight Road by Tom Piccirilli (Bantam)
The Queen of Bedlam by Robert McCammon (Pocket)
Shattered by Jay Bonansinga (Pinnacle)

Glad to see some horror writers up there - congratulations to Tom Piccirilli and Joe Hill, and all the nominees!

Screaming at the Machine…

February 22nd, 2008

Not many times during a year am I driven to murderous thoughts. (Well - I’m a teacher so occasionally I contemplate a particularly unpleasant end to some child or another, but those thoughts are normally fleeting and end with a smile. )

However, over the past week or two I’ve had at least three years worth of violent fantasies aimed at people I’ve never even met. And before you ask, no I don’t have PMS. Thank you.

Let me start at the beginning. And just be warned - this has very little to do with writing. Think of this post as therapy. For me, obviously. Not you. You’re probably ridiculously zen and sane.

Anyway - about three weeks ago I decided to switch internet providers. AOL in the UK have been doing a nifty offer whereby if you switch to them you get a free laptop. My ears pricked up at this (even though I have a perfectly lovely laptop that I love very much) and so the next day I promptly went about the business of placing the order and leaving Tiscali (with whom I’d had a very affectionate three year no problem broadband relationship - but who weren’t offering me anything as glitzy as a laptop - so being the material slut I am, I was quite happy to ditch.).

Are you with me?

All was going swimmingly. The order was placed. Tiscali had relinquished the MAC code (I’m now fluent in such terms) that AOL needed to do whatever these people do. I sat back happily and fantasised about having two laptops and how this was going to revolutionise my writing world, and would probably, in all likelihood, solve all my other life problems.

I then had one of those moments. You know the kind. When you sit down with a cup of tea and find yourself making a life changing decision. I looked around my big house that is far too big for one (note to self: make more effort to make relationships last), and thought about another school year ahead and getting up an hour early to get some writing in, and staying up late…and it all seemed rather yuk. A grey cloud passed over my future.

And then a ray of light broke through my (metaphorical) cloud, and I almost saw God’s (metaphorical) finger pointed down at me and saying (his voice - not his finger obviously..) ‘Sort it out!!!’

So I did. I decided to sell said house, stick the money in the bank, quit job and go to live in Raleigh, NC for 6 months and concentrate on writing. I promptly rang Liz, the BFF who’s teaching in NC, got on the email (ah…those were the days) and mailed Alex Sokoloff who lives in Raleigh and we all got very excited. I still AM very excited. Went into school, handed in my notice to leave at the end of July and then realised that I couldn’t go through with the AOL contract as it was for 24 months.

This was only two days after the original order was placed so cancelling was no problem. I rang them (and emailed..) and explained about my fabulous new life plan and how glorious it was going to be, and they listened patiently and cheered along and promptly cancelled the order.

All was well.

And then things started arriving in the post. Items entitled ‘Welcome Pack’ and ‘Getting connected.’

Hmmm.

I rang AOL..waded through the automated system and finally reached what sounded like a real person (I’m now not so sure any of them are real people..). They reassured me that said packs were generated automatically (probably by the devil I’ve since decided) and that my order was indeed cancelled.

The next day some letters came telling me about my password and email address. I rang again, blood temperature beginning to rise. There is something distinctly frustrating  about anonymous voices on a phone. There is nothing reassuring in it. They did however, try and reassure me that my order was cancelled. Ignore the letters.

A week passed. I woke on a Saturday morning, and relatively cheerfully popped downstairs for a cup of tea and to check my email.

It wasn’t working. My jaw clenched. Things were OUTSIDE OF MY CONTROL.

I rang Tiscali, and knew, just knew, what they were going to say. And of course they did. AOL had taken my line. But of course they could sort it out. But first I had to ring AOL…

There were several deep breaths. I looked at my knife block. The first murderous thoughts were forming. I rang AOL. They casually told me, that ‘yeah, my order was cancelled. They didn’t know what had happened with the line. There had obviously been a technical glitch.’

‘I’ll technical glitch you,’ I muttered between gritted teeth. Putting the phone down, I sought my inner zen and then rang Tiscali. They were lovely and told me that they could reactivate my account after AOL’s horridness but that it would take 10 days..

I smiled. Ten days I could cope with.

Within that ten days there were screaming matches with AOL over various delivery charges and technical support charges and the knife block and faceless AOL employees featured in dreams where I in vain attempted to kill the disembodied voices that lived in the phone line. But throughout the trauma I had the Ten Day promise to cling on to.

Ten days passed. My internet did not reconnect. I did get a letter from Tiscali though. It stated that according to my instructions they had cancelled my account.

You’ve got to laugh, really. I didn’t, obviously.

I’ve had a week to calm down. I have internet at school and at my folks and friends houses. In fact, I’m probably getting more work done, but still. My facebook seems unloved. I can’t browse hotels and houses and stuff I can’t afford. There is a gloom in my study.

 I’m still looking forward to America. Really, really looking forward to it. But I’m hoping they have more people with bodies attached to voices that actually work in shops you can go into…

Rant over…

SP x

When Stereotypes Are in Stereo

February 4th, 2008

Deborah LeBlanc  (Side note: There seems to be formatting issues with Wordpress at the moment, so you may find paragraph breaks where there shouldn’t be any! :)

Below are some common traits often used to portray a stereotypical, modern day Southerner: 

  • Drawl in their speech.
  • Not having a full set of teeth, and the missing ones are usually in the front.
  • Being slow on the uptake, meaning they don’t quite ‘get’ things as quickly as other folks.
  • Their love of country music.
  • Their dress—typically anything Walmart has on sale.
  • To summarize most of the above—Dumb Hick

Now although I’m from the South, I’m not a Southerner. I’m a Cajun, and we have our own public perceptions to bear and overcome. That being said, I understand why Southerners get a little rankled sometimes when they see themselves portrayed in books and movies. Although we (we being those stereotyped) know some of what we’re reading or seeing is true, it’s not true about all of us, and some of us resent the implication that it is. Because of that, writers are often told to stay away from the stereotypical traits and focus more on the person. Okay, so you can throw in a missing tooth or two, maybe even a few, “Thank Youuuuuu,s” to add flavor, but that’s it. The rest should be kept neutral. Well, that’s all fine and dandy, but what happens when all you see in a particular culture is stereotypical traits? Do you then have to ‘create’ neutral?  Here’s an example…. 

Some time ago, I was in

Alabama when the transmission on my old Pathfinder blew. Fortunately I was able to nudge the car off the Interstate before she froze up and refused to move another inch.  

So, there I was stuck on the side of the road in a small, north

Alabama town—it was Sunday—and it was Father’s Day. Not a winning combination by any stretch of the imagination. I called AAA, first time I’ve ever had to use them, and told the dispatcher what was going on. After asking me a dozen questions, she then tells me I’ve contacted the main dispatch center, which is in Missouri, and that she’ll have the

Alabama office contact me on my cell asap. Fine.
 

Forty minutes later, I’m thinking our definition of asap is different so I call back, this time insisting that I’ll hold until someone from the Alabama office picks up. After huffing and puffing about it not being protocol, the woman from main dispatch finally agrees, and I’m put on hold while she contacts the other office.  Ten minutes later, a woman with a heavy Alabama accent picks up the phone, and due to drawl alone it takes her six more minutes to say, “My name is Carol Ann, with AAA in

Birmingham, Alabama, how may I help you?” 

 Frustrated that the first woman hadn’t even bothered to give her the myriad of details I’d already relayed, I went through my story again…. “My name is Deborah LeBlanc, and my Pathfinder broke down just outside Huntsville. I’m near a convenience store right off exit—”  “Your name is Deborah what?” “LeBlanc.” I spelled it before she asked. 

 “And what kind of car are you in?”

 I swear to everything in the universe and beyond, I was on the phone for another forty minutes repeating the same information a million times. She was either writing with a broken ink pen or was in the early stages of Alzheimer’s.  Finally, she says she’ll have a tow truck heading my way soon. I ask how soon. She says she doesn’t know, but soon, then proceeds to give me the name of the towing company I should expect. 

TWO hours later, I see a tow truck with that name plastered all over it fly past me. I wave. He doesn’t stop. Doesn’t even look my way. I see him make a U-Turn two blocks down and keep my fingers crossed. Maybe he did see me waving. . . . Nope, he takes off down a side street that leads to the on-ramp of the Interstate.  I call AAA again. Twenty minutes later, I’m talking to the Alabama office again. I tell her about the wayward tow truck driver, and she spends another fifteen minutes telling me that she can’t understand why he didn’t stop and ain’t that about a shame. While she’s yammering, the tow truck suddenly appears again, and I all but run out into the middle of the road, arms waving, and yelling, ‘Over here! Here!” He waves back, signaling that he sees me. All the while, the woman on the phone is still working on finishing her last sentence. Knowing I’d be stuck on the phone with her another hour if I told her he’d finally arrived, I simply hung up. 

 Okay, so far I know this could be tied to AAA and not be considered Alabama specific, but bear with me…. When the driver gets out of the tow truck, the first thing he does is spit out a wade of tobacco juice, then wipes his mouth with the back of a hand. His walk is slow and his talk slower, and the combination of the two means another two hours go by before my SUV is loaded on the truck. 

 After settling into the passenger seat of that tow truck, it takes me another hour to finally get the information I need to make a decision. The bottom line finally came to this—nothing was open—no repair shops, no rental car companies, no dealerships. The only option I had was to have the car towed to the towing company’s yard, where it could be kept in a gated area overnight. Fine.

 Once we reach the yard, the driver leads me into the office so I can take care of the paperwork. Two people were in that office. A woman with a missing front tooth, wearing an “I Love Garth” t-shirt, and a guy with only four front teeth, wearing a stained “Get ‘er Done!” t-shirt and jeans. Both were watching a small television that was tucked just inside the front door. It takes quite some time for me to get their attention, and when I finally did, they look irritated that I’d disrupted their viewing pleasure. In the meantime, I see the driver who brought me to this lovely establishment, now sitting at one of the desks, eating biscuits and gravy.  So much for unloading my car… 

I ask the toothy wonders, “Where is the nearest hotel?” 

 She looks at him, he looks at the TV, she looks back at me. “Don’t know.” 

“Are you from here?”  

She glances at the television. “Uh-huh.” 

Figuring it was useless to ask how she could be from the area and NOT know if they had a hotel, I said, “Okay, what about cabs. Got any of those around here?” 

Still looking at the television, she says, “Uh-huh.”  

Mr. “Get ‘er Done!” suddenly guffaws and points at the television. “Did you see that?” he says without looking away from the twelve-inch screen. Evidently, I had never been a solid form in his peripheral vision. 

 “So there are cabs here?” I ask the woman again.  

“Uh-huh.” This time she looks right at me but just stands there.  

“Would you mind calling one for me?” 

“Don’t know the number.” She looks over at ‘Get ‘er Done!”. “Hey, Earl, you know the number to that comp’ny’s got them yellow cabs?” 

Earl frowns, but doesn’t take his eyes off the television. “Nope.” 

She turns back to me and shrugs. “Earl don’t know the number neither.” 

It takes me a moment to respond because I can’t believe this whole conversation is really taking place. “Maybe we could find the number for the cab service in the phone book?” I offered. 

She looks at the television. “Yeah, we got a phone book. It’s back over there by Earl’s desk.”  

Not knowing if she was implying that I should go get the book and look up the number myself, I ask, “Do you mind if I borrow the phone book?”  

Again, I swear to all that’s in the universe and beyond that the conversation went back and forth like that seemingly forever.  I finally did get a cab—another two hours later…and, yes, the driver had a missing front tooth and talked like he was reading a primer and didn’t quite understand the words he was sounding out. We did locate a hotel, though. Days Inn circa 1958, and their ‘free’ Internet access was dial up that kept dropping the call every two minutes. So much for getting any work done. 

 The following morning started off much the same way. I got a phone call from the towing company at 6 A.M., asking me what repair shop I wanted my car towed to. I told them I didn’t have a clue since I wasn’t from the area. The person on the other end of the line remained silent. Every couple of seconds, I’d hear him sip on something.  

“Well, can you recommend a repair shop?” I asked. Yeah, I was snippy, but damn I hadn’t even had coffee yet.  

As you might suspect, that simple question got an even simpler answer. “Not really.” And we were off to the races.  

The short version of the ending is that I had to hunt up another cab, then orchestrate getting the car to a repair shop. When that was finally settled, I asked the owner of the repair shop if there was any chance my car would be fixed that day. If not, I planned to rent a car to drive back to Louisiana. The owner says, “Yeah, there’s a chance.” 

“How good a chance?” 

“We’ll probably get it done today.”  

Finding that answer still too iffy, I batted it back to him a dozen different ways, trying to get a more concrete answer. It always came back the same. “There’s a chance.” 

Well, shit. All I knew to do with that was wait. I figured I’d hold out until 4:30, a half hour before the rental car place closed, and if they hadn’t made progress on my car by then, I’d still have an option open. So I waited in that repair shop ALLLLLL day. And, again, I swear to everything in the universe and beyond, that every person who walked through those shop doors was dentally challenged and had that slow, not-quite-gettin’-it drawl. I had quite the time watching and listening, jotting down notes on some brown paper towels I’d found in the bathroom. 

 I’m happy to say that the repair shop owner was true to his half/word, and my car was done by 5 P.M. As I drove away, though, I realized there was no way I’d ever be able to write a story using any of the characters I’d met over that two day period. If I stayed true to them, I’d get bashed for using stereotypes. In truth, I’d actually have to tone them down to make the characters believable.

Now ain’t that about a shame?      

The Liar’s Diary

January 29th, 2008

Today Patry Francis’ debut novel, THE LIAR’S DIARY comes out. Patry has been diagnosed with what is described as “a particularly aggressive form of cancer.” This means particularly aggressive treatment, which means Patry will not be able to do the usual promotion for the book. So the mystery community is joining forces to get the word out.

Here’s a link to Patry’s website.

And some praise for the book:

“Patry Francis writes with a quietly intimate voice, subtly weaving her spell as the tension slowly but surely builds to a fever pitch. Packed with jaw-dropping revelations, LIAR’S DIARY still manages to save one last walloping shock for the end.”

-Tess Gerritsen

“The Liar’s Diary is a beautifully written first novel by an author who has previously distinguished herself through her poetry and short stories.”

-Mystery Scene

“I was hesitant to start Patry Francis’s debut novel, The Liar’s Diary, as mysteries are not usually my first choice. However, I was drawn in after just a few pages. The novel starts off with two very unlikely women who are vastly different becoming friends. As it progresses, it becomes an obsessive love story and murder mystery. You won’t see the disturbing ending coming.”

-Publisher’s Weekly

Can’t wait to read it, and I hope you’ll check it out, too.

- Alex

What’s a nice girl like you….

January 24th, 2008

by Alex

Writing what we do, I suspect that every single one of us has at some point gotten the question: “What’s a nice girl like you doing writing stuff like THAT?”

Well, first of all, “nice”? Um…

Responsible, sure. Compassionate, empathetic, thoughtful. Kind, even.

But “nice” isn’t the first word that comes to my mind when I think about any of you, and I certainly don’t know why anyone would use it about me.

Still, much as I may disagree with the word choice, I know what these nice people are trying to ask.

I spent a couple hours recently in an interview talking about how to write horror and that got me specifically wondering about the life incidents that led us to choose this dark genre of ours (some of us darker than others….).

For instance, I realized after seeing the movie ZODIAC recently that the Zodiac killer was a huge early – influence? Inspiration? Impression? What I mean is, I grew up in California and even years after this guy had dropped off the map, we kids were scaring ourselves senseless by telling ourselves Zodiac stories around the fire at Girl Scout camp. He was our Boogey Man.

My dad grew up in Mexico and he had a passel of ghost stories that he’d pull out around the campfire to scare us with.

Also, since Dad is a scientist and Russian, and attended a lot of scientific conferences that got turned into family road trips, I have early memories of us in the family station wagon being followed by the CIA because, you know, Russians were out to destroy the world at the time. All that ever happened was that they followed us around but naturally I’d spice the whole thing up in my imagination – my first attempts at thrillers.

It’s only recently occurred to me that perhaps I write ghosts because I went to a haunted high school – specifically, the grand and decrepit old auditorium where I spent most of my high school, rehearsing choir programs and plays, was supposedly haunted by a girl named Vicki who died the night of her prom back in the 20’s. Yes, yes, I know that’s a classic urban legend, but we all believed in Vicki, and there were parts of that auditorium where you just didn’t want to go, alone or with others. Cold spots. Strange noises. Disappearing props.

(But somehow it never once crossed my mind while I was writing THE HARROWING that I was writing about a haunted school because I went to a haunted school).

I also had some pretty scary experiences early on in life that made me realize that there was evil out there. A child molester who’d been trolling the streets around my elementary school tried to grab me one afternoon when I was walking home from school. He was a small and creepy man, and even though I didn’t have any sense of what child molesting was at the time, I knew there was something just wrong with him and I ran. That was my first full-on experience of what evil looks and feels like, and it’s not something you forget or let go.

And I had friends, as we all do, who were not so lucky about escaping predators, and the anger about that has fueled a lot of my writing.

There’s more, of course, and once you start thinking of influences, it’s pretty fascinating how much you uncover about your motivations.

So, chicks, I wondered what kinds of experiences from real life have made you all the dark, twisted writers you are…. and would love to hear what in their own lives would make our MUSE readers seek out this genre?

Edgar nominees announced!

January 18th, 2008

Go here for full list of nominees and bookcovers.  I am especially thrilled to see Ken Bruen, Matt Nix, Scott Frank, and Reed Farrel Coleman on the list, for Best Novel, Best Teleplay, Best Screenplay, and Best PBO.  Four of the most talented, wicked sexy, and all around fabulous guys I know.    And the amazing Laura Lippman is in a class by herself.    Huge congratulations to all!!      

Hello all, and welcome to the first Muse blog entry!

January 16th, 2008

Firstly, we’d just like to say a big thank you for finding us and taking a little time to browse. We hope you like what you see and feel free to leave a comment so we know who you are.

Hopefully, given that you’ve made your way across the tangled and sticky Ether cable of the web and found us, you may already know a little bit about at least one of our group. As the intro says we’re four female writers who hooked up at World Horror 2007 during some panels and decided that we wanted to do something together.

And here we are with the launch of our site. Slick, isn’t it?

So what have we been up to since World Horror? Well, it has to be said things of late have been pretty busy for all four Muses, both collaboratively and as individuals.

Deb LeBlanc has been finishing up Water Witch her next Leisure release which will hit the shelves in August, Sarah Pinborough has completed Tower Hill, her next Leisure novel (July 08), Alex Sokoloff has been prepping for the release of The Price (Feb 08) and finishing her third book for St. Martin’s, and Sarah Langan is putting the finishing touches to her third novel, Audrey’s Door as well as planning the fourth.

Along with getting the weight of a novel off their respective chests – at least until the next round of deadlines – the Muses have short stories coming your way in a variety of publications from Shivers at Cemetery Dance, The Darker Mask (an illustrated superhero anthology coming from Tor) to short stories and Novellas coming from PS Publishing in the UK.

But enough of what we’ve been up to individually – what are we doing as a collaborative unit, because that’s what this is all about isn’t it?

Well primarily, we’re doing what we think we do best – writing. Swerving deadlines on other projects like the pros we are, the MUSE four have put together an outline for what we think will be a pretty special project, both in concept and in outcome. We can’t talk about it too much as yet, but with our self-imposed deadline looming (four driven women – we didn’t cut ourselves much slack!), hopefully we will be able to say more in the next blog.

There have also been signing tours all over the US and UK, and radio, internet and TV interviews. Some of these may have been transcribed on sites like lostanddamnedchat.com or on our individual web pages if you missed them, so check them out if you so wish.

All four of us are happily prepping for our stay in New Orleans for the Pen to Press Writer’s Retreat where we will be tutoring eager young novelists, and where I’m sure we’ll find time to discuss our next major collaboration. If you want a clue think dark and deadly women (well, two are blonde but spiritually definitely dark and deadly) a road trip and a new TV series…Bring it on!

We are all also going to be taking part as judges in a novel writing competition which we will announce here as soon as we’re given the green light. This, along with the Pen to Press retreat, is a project that the MUSE team is really excited about. We know how hard it is to break into this writing business and we feel it’s important to help out with others where and when time allows us too.

We were hoping to get some group shots at WHC 2008 but unfortunately Sarah Pinborough can’t make it from the UK to Salt Lake (which she is pretty grumpy about;-)) and so our first group shots will be taken in New Orleans…so there may be a slightly longer wait for that pin-up shot (Ha!) but what a great location!
Now all we need is a look….any suggestions?

Right, that’s pretty much it for this first chat. Stories are waiting to be written, drumming their metaphorical fingernails on the desk impatiently, so we guess we’d better get on.

We’ve got a globe to dominate after all….No rest for the wicked…

So look out – we are everywhere….If I was you I’d check under the bed ;-)

G’Night. X

The MUSE Four.
p.s Now click on the link on the home page and get your butts over to Dark Scribe Magazine and read the MUSE column! This month delivered by HWA President and all round uber-cool lady, Deb LeBlanc.

(Actually the MUSE column won’t be up until next week - in the meantime, here’s our Dark Genre Roundtable at Dark Scribe.   Enjoy!)